The Menu, Visual Arts / May 3, 2024we’re just so glad you’re home at 81 Leonard: The Ophelia Arc Q&A. View Post
The Menu, Visual Arts / April 4, 2024Looking Anywhere But Here: Marguerite Wibaux’s ‘SEEN’ at The Locker Room. View Post
The Menu, Visual Arts / October 5, 2023Beyond the Mauve Zone: MaryKate Maher’s Daring Solo Exhibit with FORMah Gallery. View Post
The Menu / July 27, 2023The Painstakingly Pleasant Task of Emoting Emotions: An Interview with Sophie-Yen Bretez. View Post
The Menu, Visual Arts / July 25, 2023“Sanctuary” Offers Respite at The Clemente Soto Velez Cultural & Educational Center. View Post
The Menu, Visual Arts / June 26, 2023The Movement of Light and Cyberspace: An Interview with Daniel O’Toole. View Post
The Menu, Visual Arts / April 10, 2023Making HERSTORY: Women Ruled at AIPAD’s The Photography Show. View Post
The Menu, Visual Arts / February 17, 2023Adebunmi Gbadebo Displays Remains at Claire Oliver. View Post
The Menu, Visual Arts / February 10, 2023The Rebirth of Shahar Kramer: An Artist Who Found Herself Outside Herself. View Post
“Humility” Video From Gorillaz Offers a Vibe As “Californian” (Read: Mindless) As the Tone of the Song
Parallel Existences Add to One’s Eerie Stay at the Tranquility Base Hotel in Video for Arctic Monkeys’ “Four Out of Five”
Christina Aguilera’s Latest, “Fall In Line,” Builds on Themes of Stripped’s “Beautiful” & “Can’t Hold Us Down”
Sex and the City Isn’t As Irrelevant As Its Current Detractors (Sarah Jessica Parker Included) Are Making It Out to Be
Rita Ora’s “Girls” Is Neither A Fitting Homage to “Lady Marmalade” Nor Genuine In Its Fair-weather Bisexuality