The human body with its presence, absence, and agility define the most visceral and accessible national pavilion presentations at the 58th Venice Biennale. Titled “May You Live in Interesting Times” and curated by Ralph Rugoff, this biennale was split between Rugoff’s curatorial conceit and the various country’s presentations at both the Giardini and Arsenale sites of the Biennale. This year’s iteration met with several own challenges: for example, despite committing to the biennale both Algeria and Venezuela failed to open …