Michael Johansson knows a thing or two about baggage–and we mean that not in an Erykah Badu sense, but in a literal sense. The Swedish artist has a propensity for “cubifying ” things. From Horror Vacui to Tetris, Johansson is obsessed with occupying every inch of geometric space. His newest installation, Crossfades (2012), is no different.
![Courtesy of Michael Johansson.](https://quietlunch.com/wp-content/uploads/2013/01/Crossfades-1-e1357829111553.jpg)
Courtesy of Michael Johansson.
![Courtesy of Michael Johansson.](https://quietlunch.com/wp-content/uploads/2013/01/Crossfades-4-e1357829138883.jpg)
Courtesy of Michael Johansson.
![Courtesy of Michael Johansson.](https://quietlunch.com/wp-content/uploads/2013/01/Crossfades-2-e1357829125290.jpg)
Courtesy of Michael Johansson.
![Courtesy of Michael Johansson.](https://quietlunch.com/wp-content/uploads/2013/01/Crossfades-5-e1357829151583.jpg)
Courtesy of Michael Johansson.
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Quiet Lunch is a grassroot online publication that seeks to promote various aspects of life and culture with a loving, but brute, educational tinge. When we say, “Creative Sustenance Daily,” we mean it.